Displaying
with the Army Air Corps
by Gary Parsons
As part of the 'Press Corps' at the Middle
Wallop International Airshow in June, I was offered the enormous privilege of flying
in a Lynx during the rehearsal for the massed flypast, a highlight of shows held at the
Hampshire venue. Naturally, as one would expect, the offer was met with unrestrained
enthusiasm and a cloud of dust as I sped across to the waiting minibus.
Having lived in the shadow of Wattisham's
Lynxes and Gazelles for four years, the chance to sample the delights of Westland's finest
was something of a busman's holiday, especially as the crew were from 4 Regiment, making
up the numbers for the weekend as Wallop were struggling for machines and aircrew. Such
was my excitement that I forgot my notebook, so consequently have forgotten the crew's
names, which is a pity as they were a good couple of blokes, accepting their passengers
(myself and Flypast's Ken Delve) with good grace although one got the feeling they would
rather not have been burdened, if a choice was available.
A crew bus takes us and the pilots to the south side
of the airfield and the massed ranks of Gazelles and Lynxes, an impressive sight to
behold. Our Lynx is toward the end of the parked ranks, an ordinary looking AH7 bearing
the serial XZ652, sitting basking in the midday sun that is a most
welcome respite from the misery of three weeks of clag since Mildenhall. A safety brief is
briefly given, after which we clamber aboard and strap in tight, sitting behind the pilot
with the large side door open looking out of the starboard side of the aircraft. Inside,
the aircraft is utilitarian, a basic canvas seat to sit on and there is a well worn feel
to the interior; one remembers that this particular example is nearing twenty years in
service, a time since when Austin Allegros were still in fashion. The dark finish gives a
very austere feel, certainly no fobs to luxury are experienced, no furry dice are allowed
in the windshield. A headset with intercom is available so that communication with the
crew is possible, but I decide to keep the chat to a minimum in fear of saying the wrong
thing at a crucial time and causing the helicopter to plunge to the ground, a vision that
is all too prevalent as the engines are started and the rotors engaged. Any tension and
apprehension is soon dispelled as one by one the choppers around us lift off and hover,
awaiting their turn to peel off and follow the line of Gazelles disappearing into the distance. As
we are to be the end of the second row of helicopters, to the far right as viewed from the
crowdline, we are one of the last to turn hard to starboard and accelerate across the
hedge in chase of the snaking line ahead. At what seemed less than head height the
boundary hedge flashes underneath and the chase is on, the line curving away to the right
behind the hills to the south. I can just lean out and look forwards, with the slipstream
just deflected away enough not to cause discomfort; the thrill of chasing umpteen Lynxes
is one that will stick in the memory. In what seems a race, some are taking tighter lines
than others, all heading for an unknown destination (to me) at about two hundred feet and
a similar rate of knots. The ride is wild, the dense air causing the Lynx to buck and
weave, making photography immensely difficult as it is a job in itself to keep the
viewfinder anywhere near your eye. The shutter speed is left at 1/350 in an attempt to get
some sharp pictures without completely freezing the rotor blades, but as soon as we had
lifted the biggest cloud of the day made an appearance and most of the flight is in shade.
No sooner have we left Middle Wallop, but are
preparing to land in a grass field, exactly where I do not know. Settling in amongst the
roaming sheep, the rotors are disengaged and engines shut down. A twenty minute wait
ensues while the formation leaders finalise their plans; this gives the remaining crews a
chance to check their place in the display and catch up on the local gossip, who was doing
what to who in EastEnders and other pressing issues. The good natured banter over the
intercom is refreshing to hear, military men are human after all. Bikes and birds are also
on the menu, but soon the order to start engines is given and the banter swiftly replaced
with a professional tone with a run through of the checklist to prime the Rolls-Royce Gem
engines.
Back into
action again, lift off is swift as again we are trailing the pack. Heading back towards
Middle Wallop, suddenly the line ahead slows and the Gazelles start to form a disorderly
row before coming to a dead stop; we do so likewise, forming a second line, hovering at
about fifty to one hundred feet. It is now that the term 'Air Cavalry' strikes home, as
the massed ranks of helicopters lay in wait behind the ridge could well be waiting for a
line of Red Indians to pass through the valley, ready to pounce at the sound of a bugle.
The downwash of the rotors does little to upset the cattle grazing in the surrounding
fields, so used they must be to the antics of trainee pilots in this part of the wild
frontier. Soon the bugle is sounded and the armada of aircraft heads for the airfield,
advancing in two ranks, Gazelles and Squirrels to the fore with Lynxes and Griffons
defending the rear. At display height, we form into two long rows of bucking, jostling
helicopters, each pilot nervously eyeing the man to his right and keeping that all
important minimum safety distance between the blades. One small movement sideways has a
'reverse concertina' effect in the row as the next pilot slightly over-compensates, the guys at the end (us) working hardest of all as
the line expands and contracts. This lateral movement seems quite marked to us in the
chopper, but to the crowd would seem no more than a mild wavering of the line. Then, as
one, those of us to the right of the crowdline turn to starboard and those to the left
turn to port, to face each other's path, the lights of the oncoming helicopters looking
like a trail of beacons wandering down the mountainside. The silver Gazelle and his accomplices do their bit down by
the crowdline, but are too far away to really see what is going on, the sun tantalisingly
close but hidden by the few clouds in the sky. Suddenly the display is over and the line
of Lynxes ahead of us streaks away and we give chase again, the line curving downwards and
to the right, heading for the vast green expanse of the helipark on the southern taxiway.
Realising this is perhaps the last chance for pictures, I lean as far as the straps allow,
only to hear a desperate cry from behind; sorry, Ken! Probably not a good idea to upset
the editor of Flypast, so I guess I need not bother submitting anything for a month or
two.
Back over the fence we go,
watching the Gazelles settle into position and guessing which scorch mark in the grass is ours.
Touchdown is gentle, about an hour after we had left, but the time has just melted away as
it always does when doing something hugely enjoyable. Once the rotors have stopped
turning, the still air is warm again, a reminder that although summer the draught had been
quite cool while buzzing around in the sky exposed to the elements. True to form, the sun
pops out for the remainder of the day once we disembark. Just time enough to thank the
crew and apologise to Ken before the bus comes to collect them, I now try to find my
colleague Roger Cook who was in one of the 'Soup Dragons',
otherwise known as the AH9 version of the Lynx (the one with the wheels). The experience
has been superb, it is not often that anyone has a chance to be part of an official flying
display, even though it was only a practice, but there were plenty of people to see the
action as the Friday was just one day in a week of action comprising the International
Helicopter Exhibition and Helimeet International.
We would like to extend our thanks to the
MWIAS press staff for their hospitality and look forward to future events.
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